Adelaide Baroque is delighted to present a series of interviews with musicians created during the COVID-19 restrictions. This has been a wonderful opportunity to engage our artists and find out more about them!
Originally from Washington DC and now in Adelaide, Heidi von Bernewitz plays the baroque viola.
Heidi has performed with the Halle, Pittsburgh and Baltimore Symphony Orchestras, the London Philharmonic, the English National Opera, the Sydney, Melbourne and Adelaide Symphony Orchestras, and the Australian Opera and Australian and Würtemburg Chamber Orchestras, at festivals including Glyndebourne, the London Proms, the Edinburgh Festival, Cabrillo, Aspen, Tanglewood, EMF, Schleswig Holstein Music Festival. St. Endellion, and the Rencontres Musicales Internationales des Graves, and as a historical performer with London Classical Opera, Modern Musick of Washington D.C. and regularly with Adelaide Baroque.
A graduate of Boston and Yale Universities, her teachers include Wolfram Christ, Michael Zaretsky, Atar Arad and Nabuko Imai.
A frequent chamber musician, Heidi has performed solo recitals in the U.S., U.K., Scandinavia, and Australia, and recorded for Deutsche Grammaphon, Sony Classical, Telarc, EMI, Naxos, and ABC Classics.
Originally from Sydney, Jackie Newcomb is currently Principal Contrabassoonist with the Adelaide Symphony Orchestra, a position she has held since 2009.
Jackie has performed with most of Australia’s major symphony orchestras including the Sydney, Queensland, Melbourne, and Tasmanian Symphony Orchestras, as well as the Australian Chamber Orchestra. As part of her busy schedule, Jackie performs regularly with various chamber ensembles on both modern and historical bassoons. As a founding member of Unholy Rackett and The Adam Page Ensemble (TAPE), Jackie enjoys exploring performances of an eclectic range of music.
In 2019 Jackie graduated with a PhD from the Sydney Conservatorium of Music researching historically informed performance practice for the renaissance bassoon.