B Mus, Dip T
Lynton Rivers studied recorder in Amsterdam with Marion Verbruggen and in Vienna with Hans Maria Kneihs as a recipient of an Australia Council grant. He tutors regularly at Australian Recorder Festivals and workshops, and has performed in Australia, UK, Sweden and China. Lynton is a lifelong teacher as well as a performer. As a teacher of the Instrumental Music Service of the Department of Education and Children’s Services, he has introduced generations of schoolchildren to the trials and joys of music performance. Lynton is also a tutor on the staff of the Elder Conservatorium of Music, and is chief recorder examiner for the AMEB. He is a principal founding member and key artist with Adelaide Baroque, and his recordings include Musica da Camera and Passion released by Adelaide Baroque.
MAppSci, FISPE, ARCM, LRAM
Frank May has been on the Committee of Management since its inception as an independent external member. A pharmacist and pharmaco-epidemiologist, he recently retired from a Faculty position at the Harvard Medical School, Boston. Frank is a practising organist and accompanist. His specialist brief on the Committee is both artistic and business advisor. Previous Board positions: 1985-1995 Deputy Chairman – Adelaide Children’s Hospital, Women’s & Children’s Hospital.
B Mus, Grad Dip Ed
Jayne Varnish began her Bachelor of Music on the clarinet at the Elder Conservatorium but transferred in her final year to the recorder with Lesley Lewis. She studied recorder with Marion Verbruggen in Amsterdam, and with Hans Maria Kneihs, and has completed a Graduate Diploma in Education. Jayne has performed extensively with Compages, Viva Baroque!, Syntony, and Adelaide Baroque. Jayne has a strong commitment to music education, and is an experienced recorder teacher from primary to tertiary levels. She he has been a tutor and examiner at the Elder Conservatorium, and is a regular tutor for Adelaide Baroque and the Recorder Society of SA. Jayne’s long-term interest in Asian music has culminated in her current teaching of a Gamelan Orchestra, and she currently holds a music teaching position at Seymour College.
B Mus, MA, Con.Rec.Dip, A.R.C.M, Grad Dip Ed
A graduate of the University of Adelaide, Katrina is a former state and national winner of the keyboard section of the ABC’s Instrumental and Vocal Competition. Katrina studied harpsichord, fortepiano and historical performance in London with Christopher Kite at the Guildhall School of Music & Drama and with Kenneth Gilbert at the Mozarteum in Salzburg. Further post-graduate studies were at City University (London) where she completed a Master of Arts Degree with distinction.
Prizewinner in the Raymond Russell Harpsichord Competition, the Broadwood Trust Fortepiano Competition and the Brugge International Harpsichord Competition, Katrina has given recitals as a soloist and chamber player in Europe, Hong Kong and Australia. Performances in Australia have included with the ASO, Salut! Baroque, Elysium Ensemble, Adelaide Baroque and the Barossa Music Festival. She is currently a teacher at Marryatville High School’s Special Interest Music Department.
B Ec, FCPA, FCIS, FAIM, MAICD
Glen has a passion for music along with painting, drawing and travelling.
Glen has qualifications in accountancy and economics and has had a diverse career, mainly in the public sector, which has included financial management, trade practices, investments, legislative reviews and economic development. Glen is presently on the Crawford Fund SA Committee. Previous positions include the Board of the Queen Elizabeth Hospital.
Glen sees his role on the Committee as ensuring Adelaide Baroque continues to play fine music to growing audiences and provides opportunities for current and emerging musicians of baroque music.
B Mus (Hons), PhD
Australian violinist Simone Slattery is one of the country’s most versatile young musicians and performers, with a passion for music from a wide range of eras. Her performances nationally and internationally, on both modern and baroque violin, have received critical acclaim.
Simone has appeared as soloist, recitalist and chamber musician throughout Australia and overseas, and regularly performs with ensembles including the Melbourne Chamber Orchestra, the Australian Brandenburg Orchestra, the Orchestra of the Antipodies, the Australian Haydn Ensemble, Ironwood Ensemble, Adelaide Baroque, the Adelaide Symphony Orchestra, Orchestra seventeen88, Academia Arcadia, Ensemble Galante, and the Bowerbird Ensemble, which she co-founded in 2013. Simone studied violin at the Elder Conservatorium of Music and the Australian National Academy of Music, and was recently awarded a performance-based PhD from the University of Adelaide as an Australian Post-graduate Award candidate, creating editions and recordings of the little known violin works of Ernest Bloch.
B Mus (Hons), M Env.St.
Ben Dollman is one of Australia’s leading performers on Baroque violin, having held the position of Principal Second Baroque Violin in the Australian Brandenburg Orchestra for over fifteen years.
Studies in early violin began at Indiana University with the Australian Baroque violinist Stanley Ritchie. Upon returning to Australia, Ben was mentored by Lucinda Moon and invited to become a regular member of the Brandenburg in 1999.
He has performed as soloist and concertmaster on several occasions and is a featured soloist on two ARIA award-winning albums for Best Classical Album. In 2015 he was the recipient of a Brandenburg Foundation Study Grant to undertake extensive professional development work in Europe.
Based in Adelaide, he has been a leading performer in the South Australian chamber music and orchestral scene for many years with Adelaide Baroque, Ensemble Galante and has been a regular guest with the Adelaide Symphony Orchestra. Ben also makes regular appearances in Victoria for Evergreen Ensemble and Melbourne Baroque Orchestra. Within Australia and internationally, he is a member of the theatrical musical duo ‘Dual Aura’ with Danish recorder player Monica Schmidt Andersen.
He also holds a Master’s degree in Environmental Studies, and maintains a strong interest in how Arts Practice can influence issues of social importance such as environmental awareness.